@ginger: Well, the protagonist(Blueblood)
does discover his intentions, but that's not the original reason for him going back. See, he was a bit attached to that particular slave - he was trying to rehabilitate her, trying to set her free. He didn't really care for the idea of her being in somepony else's hands. So he treks back across a
desert to get her back. It's along the way he realizes what's going on - he has the benefit of context, you see. The ponies in the country he's visiting don't really pay attention to much outside the borders, while he's a diplomat to the country they're allegedly waging war with. He's aware of the tripe the propaganda is. Instead of arguing counter to it, though, he appeals to better natures, convinces, persuades, and even logics a bit - mostly that the country is both very tiny and very much nestled between both the country it will be going to war with,
and the countries largest ally. In the end the villain is actually defeated a bit by his own secrecy - had the countryfolk been
aware of this secret weapon, which is both plentiful and only useable by EP's(All of the ponies in the country are EP's), they might have been more willing to fight. In the end he basically amasses an army and leads them against the chancellor's own army, as by this point the chancellor basically in control of the military. The final confrontation actually has almost no violence, since neither Blueblood nor the chancellor are violent ponies. They just look outside, have a small ethical debate, and the chancellor realizes he's lost. Blueblood's side is better, so the chancellor calls off his army and the war. The country never knows about all the plans, the country 'suffers' a revolution, and things become peaceful.
@Ils: Ah, well... thank you. I don't have much to do but develop them, and it IS sort of my job to develop things in depth...